Nearly done with your fiction manuscript?
Take a breath. Inhale … exhale. You’ve done the hard work of drafting and revising and now comes the stage of making informed choices about editing. This isn’t about judging whether your story is “good.” It’s about understanding what kind of support fits your manuscript and what steps come next.
The Types of Editing
Even if you’re not hiring an editor yet, knowing the industry lingo helps.
Developmental / Structural Editing
Big-picture work: plot, pacing, character arcs, story structure, and whether the book holds together as a whole. This kind of editing usually happens earlier in the process, before sentence-level refinement and final polish.
Line Editing
Sentence-level attention to tone, rhythm, clarity, and flow—making the writing feel intentional and smooth.
Copyediting
Grammar, punctuation, word choice, and consistency—cleaning up the mechanics so nothing distracts the reader.
Proofreading
The final check for typos, formatting issues, and small errors before publication.
Optional / Specialized Edits
Sensitivity reads, fact-checking, or genre-specific reviews, depending on the book.
You don’t need all of these. And you don’t need to figure it out alone. But before you hand over your money, understand the differences, and you’ll make informed choices instead of guessing.
Signs You and Your Manuscript Are Ready for an Editor
“Ready” doesn’t mean finished or perfect. It looks more like this:
- You’ve revised as much as you reasonably can on your own, and further tinkering isn’t bringing clarity.
- You can feel that something needs attention, but you’re too close to the manuscript to see it cleanly anymore.
- You want to be sure your writing—sentence by sentence—is clear, consistent, and doing the work you intend it to do.
- You want professional guidance to help you understand what stage your manuscript is truly in.
That’s not failure. That’s discernment.
A Little Extra Help
Get a clearer snapshot of where your manuscript stands with my quick checklist of questions you can use to assess what kind of editing might serve your book best.
No forms. No pressure. Just a practical tool to help you think things through before you spend money or commit to a next step.
Being ready for an editor isn’t about being “done.”
It’s about knowing which next steps make sense for your manuscript and choosing support that matches this stage of the process.
Asking these questions doesn’t mean your work isn’t good. It means you’re taking the final stretch seriously and making thoughtful decisions about how your book meets its readers.
Asking these questions doesn’t mean your work isn’t good. It means you’re taking your book—and your readers—seriously and means you care enough to make sure readers see it at its very best.
