Before Your Editor Sees Your Manuscript

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Her email started with, “There could be a few things I haven’t fixed …”

She wasn’t wrong.

I began to see things that show up quite often: chapter headings styled a few different ways, some extra spacing here and there, a note she’d left for herself halfway through a paragraph. Nothing major. But those small things do something. Not because they’re wrong—but because they pull attention in directions it doesn’t need to go.

When the formatting shifts, I have to stop and decide if it’s intentional. Confusion over multiple versions of a file, (Wait … am I in the right final_v.3_FINAL?) When little placeholders are still sitting in the text. They all ask for attention that keeps me from staying with the story.

It’s all fixable. It always is.

But when those things are still there after the manuscript comes to me, they distract. I’m pausing to sort it out or leave a question. I’m doubling back. I’m not staying with the rhythm of your sentences.

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About the Author


Susan is the editor behind Fine Line Proofs, where she spends her days happily reading fiction manuscripts and obsessing over commas.

She works with fiction writers whose stories are nearly ready—the exciting (and slightly nerve-wracking) stage when a manuscript is finished, but they just need to know it’s right before sending it to agents or readers.

When she’s not editing, Susan is usually digging in her garden, planning a home project, or writing slightly mischievous children’s stories about life on her farm.

If you feel like talking through your manuscript, message her here, she’s always happy to chat. She also shares occasional reflections in her newsletter, Coffee Talk with Susan, where she talks about editing and the questions writers often ask.

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