Hi, I'm Susan,
I'm gonna go out on a limb and say you’ve seen my work before—you just didn’t realize it.
There's an invisible force behind books that read smooth as silk—the ones where you never stop to think, “Wait, what does that mean?” You just fall into the story and stay there.
That's me.
Not the star athlete or Math student growing up. Tall, awkward, fumbling through fractions—but hand me a sentence diagram, and suddenly I was unstoppable.
Then editing found me. Something clicked. That knack I’d always had for language—spotting what makes a sentence stumble, hearing when a rhythm’s off, knowing what it took to pull a reader into the flow of a story—suddenly had a name.
Sometimes I read a paragraph, and my brain just stops. I know what the reader will trip over long before anyone else sees it. That’s my invisible superpower.
Now, I work with fiction writers—writers like you—who are sitting on the edge of done and just want the magic of holding that finished manuscript, ready for readers.
“Susan is a delight to work with. Never once did I feel that she didn’t have the best intentions for me or my book.”
—Dan Sacry
“This is not correction ... it's partnership.”
The best editing is the kind you don’t see.
Your readers won’t notice it—but they’ll feel it.